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Artist Of The Month

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Johnny Duhan started his career as a fifteen year old front man in the Limerick beat group Granny’s Intentions, one of the most popular bands in Ireland in the mid to late '60s. After rousing Dublin with their soul touch, they moved to London, being one of the first Irish bands to do so. They were signed to the Deram record label, released several singles and one album, Honest Injun, and disbanded before Johnny was twenty one. Despite offers to front other bands, Johnny turned his back on the popular music industry and started writing folk songs, poetry and prose. He has condensed a body of work spanning 40 years into a quartet of albums Don Quixote , Just Another Town, To The Light, The Voyage , Tree , Flame and his latest cd The Burning Wood  These correspond with the four chapters of his lyrical autobiography, To The Light. His songs are sung all over the world in a variety of languages, thanks to the focus put on them by Christy Moore, The Dubliners, Mary Black and many other Irish and international singers. Johnny song The Voyage has become a modern classic. Christy Moore recently stated that The Voyage has been performed at over a million weddings worldwide, not to mention anniversaries, funerals and other occasions.

“Johnny Duhan is one of my favourite songwriters”. - Ronnie Drew 

 “Johnny Duhan”s albums are like books of aural short stories eloquently written, with the listener hanging on his every word.” - John O’Regan, Irish Music Mag.

 “A man who cares not a whit for trends, but rather one whose reason for living is, perhaps, to transcendsuch creative limitations.” - In Dublin
The Burning Wood ................Johnny Duhan released now .
Review by John Waters Irish Times.
Truly a beautiful piece of work. It achieves an engagement with faith and God that will not"lose" the doubter or the sceptic, but will draw them to itself, reassuring them by the depth and quality of its music and poetry. I identify very strongly with the songs, and at no time feel the sense of creeping unease that afflicts me at some stage while listening to most Christian-inspired music. I think this is because Johnny comes to the music from a position in the world, in life, in culture, and seeks to comprehend the Mysterious Otherness by means of that language, rather than accepting the "given' language of religion and simply utilizing that as a code to summon up beliefs assumed to be held in common with his audience. There is therefore something primary, if not primal, about the album. It speaks to the human being who comes to these questions with nothing but a flimsy raft of openness resting on an ocean of doubt and fear.”
                                                                          John Waters